Submissions from 2023
‘This woman who predominated in all things’ Alice Barber Stephens’s drawings of Dorothea in George Eliot’s Middlemarch, 1899, Nancy Marck Cantwell
Submissions from 2022
Collaborating to Build a Successful Interdisciplinary, Community-Based Project, Margaret Artman, Elizabeth Campbell, and Kristen Luppino-Gholston
Settler-Colonial Realism: Naturalizing and Denaturalizing the Frontier, Hamish Dalley
Submissions from 2021
Fleecing Miss Lambe: Exploitation, Tourism, and the New National Narrative in Sanditon, Nancy Marck Cantwell
Submissions from 2020
Incorporating Visual Literacy in the First-Year Writing Classroom Through Collaborative Instruction, Erica Frisicaro-Pawlowski and Robert Monge
'Meaniacs' and Martyrs: Sadomasochistic Desire in O'Brien's The Country Girls Trilogy, Shirley Peterson
Submissions from 2019
Review of Irish Crime Fiction, by Brian Cliff, Shirley Peterson
Trauma and Recovery in the Twenty-First-Century Irish Novel by Kathleen Costello-Sullivan (review), Shirley Peterson
What Was Neoliberalism?, Hamish Dalley
Submissions from 2018
Results of a Common Core Mathematics Training Program: Veteran Teachers’ Perspectives, Evelyn Seeve
Rhetorical Ethics and the Language of Virtue: Problems of Agency and Action, Erica Frisicaro-Pawlowski
The Meaning of Settler Realism: (De)Mystifying Frontiers in the Postcolonial Historical Novel, Hamish Dalley
V. S. Naipaul and the Worlds of Postcolonial Realism, Hamish Dalley
Submissions from 2017
"A Woman Men Could More than Love": Transfiguring the Unlovely in George Eliot (1819-1880), Nancy Marck Cantwell
Decomposing the Gothic Body in Castle Rackrent, Nancy Marck Cantwell
"Keeping the Past Present": Time and the Shifting Bog in Bram Stoker’s The Snake’s Pass, Nancy Marck Cantwell
Mapping post-devolution Scottish fiction, Robert Morace
New Directions in Rushdie Studies (Editorial), Ana Christina Mendes and Charlie Wesley
Salman Rushdie's Authorial Self-Fashioning in Joseph Anton, Charlie Wesley
Submissions from 2016
Realism (other), Hamish Dalley
The Deaths of Settler Colonialism: Extinction as a Metaphor of Decolonisation in Contemporary Settler Literature, Hamish Dalley
Voicing the Unspeakable: Tana French’s Dublin Murder Squad, Shirley Peterson
Submissions from 2015
Inscriptions of resistance in Joseph Conrad's Heart of Darkness, Charlie Wesley
The Question of “Solidarity” in Postcolonial Trauma Fiction: Beyond the Recognition Principle, Hamish Dalley
Submissions from 2014
In Defence of “the Lesser Cousin of History”: An Interview with Rohan Wilson, Hamish Dalley and Rohan Wilson
Postcolonialism and the Historical Novel: Epistemologies of Contemporary Realism, Hamish Dalley
Redefining Information Literacy to Prepare Students for the 21st Century Workforce, Robert Monge and Erica Frisicaro-Pawlowski
Sinners in the hands of an Angry Gardner, Robert A. Morace
The Postcolonial Historical Novel: Realism, Allegory, and the Representation of Contested Pasts, Hamish Dalley
Ulka Anjaria's Realism in the Twentieth-Century Indian Novel: Colonial Difference and Literary Form (review), Hamish Dalley
Submissions from 2013
Deborah Shapple's British Colonial Realism in Africa: Inalienable Objects, Contested Domains (review), Hamish Dalley
Temporal Systems in Representations of the Past: Distance, Freedom and Irony in Historical Fiction, Hamish Dalley
Trauma Theory and Nigerian Civil War Literature: Speaking “Something That Was Never in Words” in Chris Abani’s Song for Night, Hamish Dalley
Submissions from 2012
Chimamanda Ngozi Adichie's Half of a Yellow Sun, Allegorical Aesthetics and Georg Lukács' Theory of Realism, Hamish Dalley
The Continuum of the World Corrected": Allegorical Form and (Trans)National Communities in the Historical Fiction of Witi Ihimaera, Hamish Dalley
The Devolutionary Jekyll and post-devolutionary hyde of the two Morvern Callar s, Robert Morace
Timothy Bewes' The Event of Postcolonial Shame (review), Hamish Dalley
Submissions from 2011
Making knowledge, shaping history: Critical consciousness and the historical impulse in composition studies, Erica Frisicaro-Pawlowski
Submissions from 2010
Kurt Vonnegut, Jr.: Sermons on the mount, Robert Morace
Submissions from 2007
Irvine Welsh: Parochialism, pornography and globalisation, Robert Morace
Submissions from 1992
Newor(l)der, Robert A. Morace