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Submissions from 2022

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Collaborating to Build a Successful Interdisciplinary, Community-Based Project, Margaret Artman, Elizabeth Campbell, and Kristen Luppino-Gholston

Submissions from 2021

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Fleecing Miss Lambe: Exploitation, Tourism, and the New National Narrative in Sanditon, Nancy Marck Cantwell

Submissions from 2020

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Incorporating Visual Literacy in the First-Year Writing Classroom Through Collaborative Instruction, Erica Frisicaro-Pawlowski and Robert Monge

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'Meaniacs' and Martyrs: Sadomasochistic Desire in O'Brien's The Country Girls Trilogy, Shirley Peterson

Submissions from 2019

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Review of Irish Crime Fiction, by Brian Cliff, Shirley Peterson

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Trauma and Recovery in the Twenty-First-Century Irish Novel by Kathleen Costello-Sullivan (review), Shirley Peterson

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What Was Neoliberalism?, Hamish Dalley

Submissions from 2018

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Results of a Common Core Mathematics Training Program: Veteran Teachers’ Perspectives, Evelyn Seeve

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Review of the books The Edinburgh Companion to Atlantic Literary Studies, by L. E. Eckel & C. F. Elliott (Eds.) and Teaching Transatlanticism: Resources for Teaching Nineteenth-Century Anglo-American Print Culture, by L. K. Hughes and S. R. Robbins (Eds.), Robert Morace

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Rhetorical Ethics and the Language of Virtue: Problems of Agency and Action, Erica Frisicaro-Pawlowski

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The Meaning of Settler Realism: (De)Mystifying Frontiers in the Postcolonial Historical Novel, Hamish Dalley

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V. S. Naipaul and the Worlds of Postcolonial Realism, Hamish Dalley

Submissions from 2017

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"A Woman Men Could More than Love": Transfiguring the Unlovely in George Eliot (1819-1880), Nancy Marck Cantwell

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Decomposing the Gothic Body in Castle Rackrent, Nancy Marck Cantwell

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"Keeping the Past Present": Time and the Shifting Bog in Bram Stoker’s The Snake’s Pass, Nancy Marck Cantwell

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Mapping post-devolution Scottish fiction, Robert Morace

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New Directions in Rushdie Studies (Editorial), Ana Christina Mendes and Charlie Wesley

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Salman Rushdie's Authorial Self-Fashioning in Joseph Anton, Charlie Wesley

Submissions from 2016

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Realism (other), Hamish Dalley

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The Deaths of Settler Colonialism: Extinction as a Metaphor of Decolonisation in Contemporary Settler Literature, Hamish Dalley

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Voicing the Unspeakable: Tana French’s Dublin Murder Squad, Shirley Peterson

Submissions from 2015

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Inscriptions of resistance in Joseph Conrad's Heart of Darkness, Charlie Wesley

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The Question of “Solidarity” in Postcolonial Trauma Fiction: Beyond the Recognition Principle, Hamish Dalley

Submissions from 2014

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In Defence of “the Lesser Cousin of History”: An Interview with Rohan Wilson, Hamish Dalley and Rohan Wilson

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Postcolonialism and the Historical Novel: Epistemologies of Contemporary Realism, Hamish Dalley

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Redefining Information Literacy to Prepare Students for the 21st Century Workforce, Robert Monge and Erica Frisicaro-Pawlowski

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Sinners in the hands of an Angry Gardner, Robert A. Morace

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The Postcolonial Historical Novel: Realism, Allegory, and the Representation of Contested Pasts, Hamish Dalley

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Ulka Anjaria's Realism in the Twentieth-Century Indian Novel: Colonial Difference and Literary Form (review), Hamish Dalley

Submissions from 2013

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Deborah Shapple's British Colonial Realism in Africa: Inalienable Objects, Contested Domains (review), Hamish Dalley

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Temporal Systems in Representations of the Past: Distance, Freedom and Irony in Historical Fiction, Hamish Dalley

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The Idea of “Third Generation Nigerian Literature”: Conceptualizing Historical Change and Territorial Affiliation in the Contemporary Nigerian Novel, Hamish Dalley

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Trauma Theory and Nigerian Civil War Literature: Speaking “Something That Was Never in Words” in Chris Abani’s Song for Night, Hamish Dalley

Submissions from 2012

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Chimamanda Ngozi Adichie's Half of a Yellow Sun, Allegorical Aesthetics and Georg Lukács' Theory of Realism, Hamish Dalley

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The Continuum of the World Corrected": Allegorical Form and (Trans)National Communities in the Historical Fiction of Witi Ihimaera, Hamish Dalley

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The Devolutionary Jekyll and post-devolutionary hyde of the two Morvern Callar s, Robert Morace

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Timothy Bewes' The Event of Postcolonial Shame (review), Hamish Dalley

Submissions from 2011

Making knowledge, shaping history: Critical consciousness and the historical impulse in composition studies, Erica Frisicaro-Pawlowski

Submissions from 2010

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Kurt Vonnegut, Jr.: Sermons on the mount, Robert Morace

Submissions from 2007

Irvine Welsh: Parochialism, pornography and globalisation, Robert Morace

Submissions from 1992

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Newor(l)der, Robert A. Morace